Customer Reviews Read 2 more reviews... Wonderful, but no liner notes July 16, 2008 Jordan Hyde (Utah, USA) 1 out of 1 found this review helpful
Great CD. Howard Goodall is very talented and varied in his work. Each piece is different enough to keep interest, the harmonies and melodies are simple, yet moving. The only downside to purchasing this MP3 album is there are no liner notes. I would like to get his take on the compositions.
Charming October 1, 2003 5 out of 5 found this review helpful
I was surprised to find this CD charming. Psalm 23 caught my attention at first, probing me to listen further. If you like the music of John Rutter, try to get your hands on this CD. It will be well worth it. Mr Bean even features on the disc. The sound is fresh and crisp. The music is clever and very interesting. Try it out.
WONDERFUL! September 19, 2002 Jay O. Carter (New haven, CT) 10 out of 10 found this review helpful
Perhaps the finest British Composer writing for a variety of media today. I would encourage folks to LOVE this CD. It is accessible to almost all, from Snotty Anglicans(Of which I am a classic case) to low church Protestants. I think that the essence of each of these pieces is universal. As to the comment about the varying volumes.....get real! Dynamic Contrast is a PLUS! If you wish to acquire the sheet music to these pieces you will have difficulty in finding a US distributor. American Music Company in Missouri(Liberty,MO) was able to get me the pieces for my choir in a very timely fashion.
Both uplifting and serious sacred music August 9, 2000 Scott R. Knitter (Chicago, IL USA) 9 out of 10 found this review helpful
This is excellent music for Anglican liturgy with an extra measure of joyful rhythm and delicious harmony. It's holy music that smiles. A good contemporary addition to any library of cathedral music. And the liner notes helped me finally figure out the funny lyrics to the theme from Mr. Bean.
Sound and Silence August 5, 2000 4 out of 5 found this review helpful
This truly lovely music is harmed by recording production values. The dynamic range goes from the inaudible to the earsplitting so that one is constantly reeling from the assault to ears. The composer actually comments gleefully in the accompanying notes on the choir's joy at singing at full (plus) volume. The music is wonderful, the sound is not. I would welcome another shot at this music featuring more restraint from the sound engineers, more discipline applied to an excellent, but overly eager, composer.
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